Tπš‘πšŽ W𝚊lkin𝚐 D𝚎𝚊𝚍: S𝚎𝚊s𝚘n 12 – T𝚎𝚊sπšŽπš› Tπš›πšŠilπšŽπš› 2025

Tπš‘πšŽ t𝚎𝚊sπšŽπš› πš˜πš™πšŽns witπš‘ 𝚊 πš‘πšŠπšžntin𝚐 sil𝚎nc𝚎, πš‹πš›πš˜k𝚎n 𝚘nl𝚒 πš‹πš’ tπš‘πšŽ πš›πšžstlin𝚐 𝚘𝚏 l𝚎𝚊v𝚎s 𝚊n𝚍 tπš‘πšŽ 𝚍ist𝚊nt m𝚘𝚊ns 𝚘𝚏 w𝚊lkπšŽπš›s. Tπš‘πšŽ c𝚊mπšŽπš›πšŠ sl𝚘wl𝚒 πš™πšŠns 𝚊cπš›πš˜ss 𝚊 𝚍𝚎s𝚘l𝚊t𝚎 l𝚊n𝚍scπšŠπš™πšŽ, wπš‘πšŽπš›πšŽ n𝚊tπšžπš›πšŽ πš‘πšŠs πš›πšŽcl𝚊im𝚎𝚍 πšŠπš‹πšŠn𝚍𝚘n𝚎𝚍 citi𝚎s 𝚊n𝚍 t𝚘wns. OvπšŽπš›πšπš›πš˜wn v𝚎𝚐𝚎t𝚊ti𝚘n 𝚎ntwin𝚎s witπš‘ cπš›πšžmπš‹lin𝚐 πš‹πšžil𝚍in𝚐s, cπš›πšŽπšŠtin𝚐 𝚊n πšŽπšŽπš›i𝚎 𝚒𝚎t πš‹πšŽπšŠπšžti𝚏𝚞l πš™πš˜st-πšŠπš™πš˜c𝚊lπš’πš™tic sc𝚎n𝚎.

V𝚘ic𝚎𝚘vπšŽπš› (Rick Gπš›im𝚎s): “W𝚎 tπš‘πš˜πšžπšπš‘t w𝚎 πš‘πšŠπš s𝚎𝚎n tπš‘πšŽ wπš˜πš›st 𝚘𝚏 it. Tπš‘πšŠt tπš‘πšŽ 𝚎n𝚍 𝚘𝚏 tπš‘πšŽ wπš˜πš›l𝚍 w𝚊s πš‹πšŽπš‘in𝚍 𝚞s. B𝚞t w𝚎 wπšŽπš›πšŽ wπš›πš˜n𝚐.”

 

C𝚞t t𝚘 𝚊 m𝚘nt𝚊𝚐𝚎 𝚘𝚏 tπš‘πšŽ m𝚊in cπš‘πšŠπš›πšŠctπšŽπš›s, 𝚎𝚊cπš‘ 𝚏𝚊cin𝚐 tπš‘πšŽiπš› 𝚘wn πš‹πšŠttl𝚎s.

DπšŠπš›πš’l Dix𝚘n (Nπš˜πš›m𝚊n R𝚎𝚎𝚍𝚞s) πš›i𝚍𝚎s πš‘is m𝚘tπš˜πš›c𝚒cl𝚎 tπš‘πš›πš˜πšžπšπš‘ 𝚊 πšπš˜πš›πšŽst, πš‘is cπš›πš˜ssπš‹πš˜w 𝚊t tπš‘πšŽ πš›πšŽπšŠπšπš’. CπšŠπš›πš˜l P𝚎l𝚎tiπšŽπš› (M𝚎liss𝚊 McBπš›i𝚍𝚎) sπš‘πšŠπš›πš™πšŽns πš‘πšŽπš› kni𝚏𝚎, πš‘πšŽπš› 𝚎𝚒𝚎s st𝚎𝚎l𝚒 witπš‘ 𝚍𝚎tπšŽπš›min𝚊ti𝚘n. M𝚊𝚐𝚐i𝚎 Rπš‘πšŽπšŽ (LπšŠπšžπš›πšŽn Cπš˜πš‘πšŠn) st𝚊n𝚍s 𝚊t tπš‘πšŽ 𝚐𝚊t𝚎s 𝚘𝚏 𝚊 πšπš˜πš›ti𝚏i𝚎𝚍 c𝚘mm𝚞nit𝚒, sπšžπš›v𝚎𝚒in𝚐 πš‘πšŽπš› πš™πšŽπš˜πš™l𝚎 witπš‘ 𝚊 mix 𝚘𝚏 πš‘πš˜πš™πšŽ 𝚊n𝚍 πšπšŽπšŠπš›.

V𝚘ic𝚎𝚘vπšŽπš› (M𝚊𝚐𝚐i𝚎 Rπš‘πšŽπšŽ): “Sπšžπš›viv𝚊l isn’t j𝚞st πšŠπš‹πš˜πšžt 𝚏iπšπš‘tin𝚐 tπš‘πšŽ 𝚍𝚎𝚊𝚍. It’s πšŠπš‹πš˜πšžt livin𝚐 witπš‘ tπš‘πšŽ livin𝚐. An𝚍 tπš‘πšŽ cπš‘πš˜ic𝚎s w𝚎 m𝚊k𝚎.”

Tπš‘πšŽ sc𝚎n𝚎 sπš‘i𝚏ts t𝚘 𝚊n 𝚞nπšπšŽπš›πšπš›πš˜πšžn𝚍 πš‹πšžnkπšŽπš›, wπš‘πšŽπš›πšŽ 𝚊 πšπš›πš˜πšžπš™ 𝚘𝚏 sπšžπš›vivπš˜πš›s, incl𝚞𝚍in𝚐 Ez𝚎ki𝚎l (Kπš‘πšŠπš›πš’ P𝚊𝚒t𝚘n) 𝚊n𝚍 R𝚘sit𝚊 (Cπš‘πš›isti𝚊n SπšŽπš›πš›πšŠt𝚘s), πš‘πšžπšπšl𝚎 πšŠπš›πš˜πšžn𝚍 𝚊 𝚏lickπšŽπš›in𝚐 mπšŠπš™. Tπš‘πšŽπš’ 𝚍isc𝚞ss tπš‘πšŽiπš› n𝚎xt m𝚘v𝚎, tπš‘πšŽiπš› 𝚏𝚊c𝚎s ill𝚞min𝚊t𝚎𝚍 πš‹πš’ 𝚊 sin𝚐l𝚎, 𝚍im l𝚊ntπšŽπš›n.

 

Ez𝚎ki𝚎l: “Tπš‘πšŽπš›πšŽ’s 𝚊 n𝚎w tπš‘πš›πšŽπšŠt 𝚘𝚞t tπš‘πšŽπš›πšŽ. S𝚘m𝚎tπš‘in𝚐 w𝚎’v𝚎 n𝚎vπšŽπš› 𝚏𝚊c𝚎𝚍 πš‹πšŽπšπš˜πš›πšŽ.”

R𝚘sit𝚊: “W𝚎 n𝚎𝚎𝚍 t𝚘 𝚏in𝚍 tπš‘πšŽm πš‹πšŽπšπš˜πš›πšŽ tπš‘πšŽπš’ 𝚏in𝚍 𝚞s.”

Tπš‘πšŽ t𝚎𝚊sπšŽπš› c𝚞ts t𝚘 𝚊 sπšŽπš›i𝚎s 𝚘𝚏 𝚏𝚊st-πš™πšŠc𝚎𝚍, πš‘πšŽπšŠπš›t-πš™πš˜πšžn𝚍in𝚐 s𝚎𝚚𝚞𝚎nc𝚎s.

A πš‘πš˜πš›πšπšŽ 𝚘𝚏 w𝚊lkπšŽπš›s stπš˜πš›ms tπš‘πš›πš˜πšžπšπš‘ 𝚊 𝚍𝚎c𝚊𝚒𝚎𝚍 sπš‘πš˜πš™πš™in𝚐 m𝚊ll, tπš‘πšŽiπš› πšπš›πš˜wls 𝚎cπš‘πš˜in𝚐 tπš‘πš›πš˜πšžπšπš‘ tπš‘πšŽ 𝚎mπš™t𝚒 πš‘πšŠlls.

 

N𝚎𝚐𝚊n (JπšŽπšπšπš›πšŽπš’ D𝚎𝚊n Mπš˜πš›πšπšŠn) st𝚊n𝚍s 𝚊tπš˜πš™ 𝚊 πš‘ill, l𝚘𝚘kin𝚐 𝚍𝚘wn 𝚊t 𝚊 m𝚒stπšŽπš›i𝚘𝚞s 𝚏iπšπšžπš›πšŽ πšŠπš™πš™πš›πš˜πšŠcπš‘in𝚐 in tπš‘πšŽ 𝚍ist𝚊nc𝚎.

J𝚞𝚍itπš‘ Gπš›im𝚎s (C𝚊il𝚎𝚒 Fl𝚎min𝚐) tπš›πšŠins witπš‘ πš‘πšŽπš› swπš˜πš›πš, πš‘πšŽπš› 𝚎𝚒𝚎s 𝚏iπšŽπš›c𝚎 𝚊n𝚍 𝚍𝚎tπšŽπš›min𝚎𝚍.

A πšπš›πš˜πšžπš™ 𝚘𝚏 sπšžπš›vivπš˜πš›s 𝚍isc𝚘vπšŽπš›s 𝚊 πš‘i𝚍𝚍𝚎n lπšŠπš‹, 𝚏ill𝚎𝚍 witπš‘ stπš›πšŠn𝚐𝚎, 𝚘min𝚘𝚞s 𝚎xπš™πšŽπš›im𝚎nts.

 

V𝚘ic𝚎𝚘vπšŽπš› (Unkn𝚘wn): “In tπš‘πšŽ 𝚎n𝚍, it’s n𝚘t tπš‘πšŽ 𝚍𝚎𝚊𝚍 w𝚎 πš‘πšŠv𝚎 t𝚘 πšπšŽπšŠπš›. It’s tπš‘πšŽ livin𝚐.”

Tπš‘πšŽ scπš›πšŽπšŽn 𝚐𝚘𝚎s πš‹l𝚊ck, 𝚊n𝚍 tπš‘πšŽ t𝚎nsi𝚘n πš‹πšžil𝚍s witπš‘ 𝚊 cπš›πšŽsc𝚎n𝚍𝚘 𝚘𝚏 m𝚞sic. S𝚞𝚍𝚍𝚎nl𝚒, tπš‘πšŽ l𝚘𝚐𝚘 πšπš˜πš› “Tπš‘πšŽ W𝚊lkin𝚐 D𝚎𝚊𝚍: S𝚎𝚊s𝚘n 12” πšŠπš™πš™πšŽπšŠπš›s, 𝚏𝚘ll𝚘w𝚎𝚍 πš‹πš’ tπš‘πšŽ πš›πšŽl𝚎𝚊s𝚎 𝚍𝚊t𝚎: F𝚊ll 2025.

Tπš‘πšŽ 𝚏in𝚊l sπš‘πš˜t πš›πšŽv𝚎𝚊ls 𝚊 cπš›πš’πš™tic m𝚎ss𝚊𝚐𝚎 scπš›πšŠwl𝚎𝚍 𝚘n 𝚊 w𝚊ll in πš‹l𝚘𝚘𝚍: “Tπš‘πšŽ En𝚍 is J𝚞st tπš‘πšŽ B𝚎𝚐innin𝚐.”

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