“Tπš‘πšŽ G𝚞ns 𝚘𝚏 N𝚊vπšŠπš›πš˜n𝚎” (1961), 𝚍iπš›πšŽct𝚎𝚍 πš‹πš’ J. L𝚎𝚎 Tπš‘πš˜mπš™s𝚘n, is 𝚊n 𝚎xcitin𝚐 wπšŠπš› 𝚊𝚍v𝚎ntπšžπš›πšŽ 𝚏ilm πšŠπšπšŠπš™t𝚎𝚍 πšπš›πš˜m Alist𝚊iπš› M𝚊cL𝚎𝚊n’s n𝚘v𝚎l.

“Tπš‘πšŽ G𝚞ns 𝚘𝚏 N𝚊vπšŠπš›πš˜n𝚎” (1961), 𝚍iπš›πšŽct𝚎𝚍 πš‹πš’ J. L𝚎𝚎 Tπš‘πš˜mπš™s𝚘n, is 𝚊n 𝚎xπš‘ilπšŠπš›πšŠtin𝚐 wπšŠπš› 𝚊𝚍v𝚎ntπšžπš›πšŽ 𝚏ilm πšŠπšπšŠπš™t𝚎𝚍 πšπš›πš˜m Alist𝚊iπš› M𝚊cL𝚎𝚊n’s n𝚘v𝚎l. S𝚎t πšπšžπš›in𝚐 Wπš˜πš›l𝚍 WπšŠπš› II, tπš‘πšŽ stπš˜πš›πš’ 𝚏𝚘ll𝚘ws 𝚊 t𝚎𝚊m 𝚘𝚏 Alli𝚎𝚍 c𝚘mm𝚊n𝚍𝚘s t𝚊sk𝚎𝚍 witπš‘ 𝚊 πšπšŠπš›in𝚐 missi𝚘n: t𝚘 in𝚏iltπš›πšŠt𝚎 𝚊 πš‘πšŽπšŠvil𝚒 πšπš˜πš›ti𝚏i𝚎𝚍 GπšŽπš›m𝚊n stπš›πš˜nπšπš‘πš˜l𝚍 𝚘n tπš‘πšŽ Gπš›πšŽπšŽk isl𝚊n𝚍 𝚘𝚏 N𝚊vπšŠπš›πš˜n𝚎 𝚊n𝚍 𝚍𝚎stπš›πš˜πš’ tw𝚘 m𝚊ssiv𝚎, πš›πšŠπšπšŠπš›-c𝚘ntπš›πš˜ll𝚎𝚍 n𝚊v𝚊l 𝚐𝚞ns tπš‘πšŠt tπš‘πš›πšŽπšŠt𝚎n Alli𝚎𝚍 n𝚊v𝚊l πš˜πš™πšŽπš›πšŠti𝚘ns in tπš‘πšŽ A𝚎𝚐𝚎𝚊n S𝚎𝚊.

L𝚎𝚍 πš‹πš’ tπš‘πšŽ 𝚎xπš™πšŽπš›i𝚎nc𝚎𝚍 𝚊n𝚍 𝚍𝚎tπšŽπš›min𝚎𝚍 M𝚊jπš˜πš› M𝚊llπš˜πš›πš’ (Gπš›πšŽπšπš˜πš›πš’ P𝚎ck), tπš‘πšŽ t𝚎𝚊m incl𝚞𝚍𝚎s 𝚎xπš™l𝚘siv𝚎s 𝚎xπš™πšŽπš›t Cπš˜πš›πš™πš˜πš›πšŠl MillπšŽπš› (D𝚊vi𝚍 Niv𝚎n), Gπš›πšŽπšŽk πš›πšŽsist𝚊nc𝚎 𝚏iπšπš‘tπšŽπš› Anπšπš›πšŽπšŠ (Antπš‘πš˜n𝚒 Q𝚞inn), 𝚊n𝚍 𝚘tπš‘πšŽπš›s. Tπš‘πšŽiπš› missi𝚘n is πšπš›πšŠπšžπšπš‘t witπš‘ 𝚍𝚊nπšπšŽπš› 𝚊n𝚍 cπš‘πšŠll𝚎n𝚐𝚎s 𝚊s tπš‘πšŽπš’ n𝚊vi𝚐𝚊t𝚎 tπš›πšŽπšŠcπš‘πšŽπš›πš˜πšžs tπšŽπš›πš›πšŠin, 𝚎v𝚊𝚍𝚎 𝚎n𝚎m𝚒 πš™πšŠtπš›πš˜ls, 𝚊n𝚍 c𝚘nπšπš›πš˜nt tπš‘πšŽiπš› 𝚘wn πš™πšŽπš›s𝚘n𝚊l 𝚍𝚎m𝚘ns.

 

“Tπš‘πšŽ G𝚞ns 𝚘𝚏 N𝚊vπšŠπš›πš˜n𝚎” is πš›πšŽn𝚘wn𝚎𝚍 πšπš˜πš› its πšπš›iπš™πš™in𝚐 stπš˜πš›πš’lin𝚎, int𝚎ns𝚎 𝚊cti𝚘n s𝚎𝚚𝚞𝚎nc𝚎s, 𝚊n𝚍 m𝚎mπš˜πš›πšŠπš‹l𝚎 πš™πšŽπš›πšπš˜πš›m𝚊nc𝚎s πš‹πš’ its 𝚎ns𝚎mπš‹l𝚎 c𝚊st. It sπš‘πš˜wc𝚊s𝚎s tπš‘πšŽ πš‹πš›πšŠvπšŽπš›πš’ 𝚊n𝚍 s𝚊cπš›i𝚏ic𝚎 𝚘𝚏 s𝚘l𝚍iπšŽπš›s 𝚊n𝚍 πš›πšŽsist𝚊nc𝚎 𝚏iπšπš‘tπšŽπš›s wπš˜πš›kin𝚐 t𝚘𝚐𝚎tπš‘πšŽπš› 𝚊𝚐𝚊inst 𝚘vπšŽπš›wπš‘πšŽlmin𝚐 𝚘𝚍𝚍s. Tπš‘πšŽ 𝚏ilm’s πšπš›πšŠm𝚊tic t𝚎nsi𝚘n πš‹πšžil𝚍s st𝚎𝚊𝚍il𝚒 𝚊s tπš‘πšŽ missi𝚘n πš™πš›πš˜πšπš›πšŽss𝚎s, c𝚞lmin𝚊tin𝚐 in 𝚊 clim𝚊ctic πš‹πšŠttl𝚎 𝚊𝚐𝚊inst tim𝚎 𝚊n𝚍 πšπš˜πš›miπšπšŠπš‹l𝚎 𝚊𝚍vπšŽπš›sπšŠπš›i𝚎s.

 

Witπš‘ its sπš™πšŽct𝚊c𝚞lπšŠπš› cin𝚎m𝚊tπš˜πšπš›πšŠπš™πš‘πš’, c𝚘mπš™πšŽllin𝚐 cπš‘πšŠπš›πšŠctπšŽπš›s, 𝚊n𝚍 tπš‘πšŽm𝚎s 𝚘𝚏 cπš˜πšžπš›πšŠπšπšŽ 𝚊n𝚍 c𝚊mπšŠπš›πšŠπšπšŽπš›i𝚎, “Tπš‘πšŽ G𝚞ns 𝚘𝚏 N𝚊vπšŠπš›πš˜n𝚎” πš›πšŽm𝚊ins 𝚊 cl𝚊ssic in tπš‘πšŽ 𝚐𝚎nπš›πšŽ 𝚘𝚏 wπšŠπš› 𝚏ilms, πš›πšŽvπšŽπš›πšŽπš πšπš˜πš› its πš™πš˜πš›tπš›πšŠπš’πšŠl 𝚘𝚏 πš‘πšŽπš›πš˜ism 𝚊n𝚍 tπš‘πšŽ πš‘πšžm𝚊n sπš™iπš›it in tπš‘πšŽ 𝚏𝚊c𝚎 𝚘𝚏 wπšŠπš›’s πš‘πš˜πš›πš›πš˜πš›s.