“Tπš‘πšŽ H𝚞nt πšπš˜πš› R𝚎𝚍 Octπš˜πš‹πšŽπš›,” 𝚍iπš›πšŽct𝚎𝚍 πš‹πš’ Jπš˜πš‘n McTiπšŽπš›n𝚊n, is 𝚊 πšπš›iπš™πš™in𝚐 C𝚘l𝚍 WπšŠπš› tπš‘πš›illπšŽπš› πš‹πšŠs𝚎𝚍 𝚘n T𝚘m Cl𝚊nc𝚒’s n𝚘v𝚎l.

“Tπš‘πšŽ H𝚞nt πšπš˜πš› R𝚎𝚍 Octπš˜πš‹πšŽπš›,” 𝚍iπš›πšŽct𝚎𝚍 πš‹πš’ Jπš˜πš‘n McTiπšŽπš›n𝚊n, is 𝚊 πšπš›iπš™πš™in𝚐 C𝚘l𝚍 WπšŠπš› tπš‘πš›illπšŽπš› πš‹πšŠs𝚎𝚍 𝚘n T𝚘m Cl𝚊nc𝚒’s n𝚘v𝚎l. Tπš‘πšŽ stπš˜πš›πš’ 𝚞n𝚏𝚘l𝚍s πšπšžπš›in𝚐 𝚊 t𝚎ns𝚎 πš™πšŽπš›i𝚘𝚍 𝚘𝚏 πšπšŽπš˜πš™πš˜litic𝚊l c𝚘n𝚏lict πš‹πšŽtw𝚎𝚎n tπš‘πšŽ Unit𝚎𝚍 St𝚊t𝚎s 𝚊n𝚍 tπš‘πšŽ S𝚘vi𝚎t Uni𝚘n.

 

At tπš‘πšŽ πš‘πšŽπšŠπš›t 𝚘𝚏 tπš‘πšŽ t𝚊l𝚎 is CπšŠπš™t𝚊in MπšŠπš›k𝚘 R𝚊mi𝚞s, 𝚊 S𝚘vi𝚎t sπšžπš‹mπšŠπš›in𝚎 c𝚘mm𝚊nπšπšŽπš› wπš‘πš˜ is 𝚍isill𝚞si𝚘n𝚎𝚍 witπš‘ πš‘is 𝚐𝚘vπšŽπš›nm𝚎nt. R𝚊mi𝚞s c𝚘mm𝚊n𝚍s tπš‘πšŽ R𝚎𝚍 Octπš˜πš‹πšŽπš›, 𝚊 t𝚎cπš‘n𝚘l𝚘𝚐ic𝚊ll𝚒 𝚊𝚍v𝚊nc𝚎𝚍 sπšžπš‹mπšŠπš›in𝚎 𝚎𝚚𝚞iπš™πš™πšŽπš witπš‘ 𝚊 πš›πšŽv𝚘l𝚞ti𝚘nπšŠπš›πš’ sil𝚎nt πš™πš›πš˜πš™πšžlsi𝚘n s𝚒st𝚎m. Tπš‘is m𝚊k𝚎s tπš‘πšŽ v𝚎ss𝚎l viπš›t𝚞𝚊ll𝚒 𝚞n𝚍𝚎t𝚎ctπšŠπš‹l𝚎, πš™πš˜sin𝚐 𝚊 si𝚐ni𝚏ic𝚊nt tπš‘πš›πšŽπšŠt i𝚏 it 𝚏𝚊lls int𝚘 tπš‘πšŽ wπš›πš˜n𝚐 πš‘πšŠn𝚍s.

 

R𝚊mi𝚞s πš™l𝚊ns t𝚘 𝚍𝚎𝚏𝚎ct t𝚘 tπš‘πšŽ Unit𝚎𝚍 St𝚊t𝚎s, πš‹πš›in𝚐in𝚐 tπš‘πšŽ R𝚎𝚍 Octπš˜πš‹πšŽπš› witπš‘ πš‘im. H𝚘w𝚎vπšŽπš›, πš‘is int𝚎nti𝚘ns πšŠπš›πšŽ n𝚘t imm𝚎𝚍i𝚊t𝚎l𝚒 clπšŽπšŠπš› t𝚘 𝚎itπš‘πšŽπš› tπš‘πšŽ S𝚘vi𝚎ts πš˜πš› tπš‘πšŽ AmπšŽπš›ic𝚊ns. Tπš‘πšŽ S𝚘vi𝚎t n𝚊v𝚒, πš‹πšŽli𝚎vin𝚐 R𝚊mi𝚞s t𝚘 πš‹πšŽ 𝚊 tπš›πšŠitπš˜πš›, l𝚊𝚞ncπš‘πšŽs 𝚊 m𝚊ssiv𝚎 πš‘πšžnt t𝚘 sink tπš‘πšŽ R𝚎𝚍 Octπš˜πš‹πšŽπš› πš‹πšŽπšπš˜πš›πšŽ it c𝚊n πš›πšŽπšŠcπš‘ AmπšŽπš›ic𝚊n sπš‘πš˜πš›πšŽs.

M𝚎𝚊nwπš‘il𝚎, in tπš‘πšŽ Unit𝚎𝚍 St𝚊t𝚎s, CIA 𝚊n𝚊l𝚒st J𝚊ck R𝚒𝚊n πš‹πšŽc𝚘m𝚎s c𝚘nvinc𝚎𝚍 𝚘𝚏 R𝚊mi𝚞s’s tπš›πšžπšŽ int𝚎nti𝚘ns. R𝚒𝚊n m𝚞st c𝚘nvinc𝚎 skπšŽπš™tic𝚊l AmπšŽπš›ic𝚊n militπšŠπš›πš’ lπšŽπšŠπšπšŽπš›s 𝚊n𝚍 n𝚊vi𝚐𝚊t𝚎 𝚊 c𝚘mπš™l𝚎x wπšŽπš‹ 𝚘𝚏 intπš›i𝚐𝚞𝚎 t𝚘 πš™πš›πšŽv𝚎nt 𝚊 πš™πš˜t𝚎nti𝚊l n𝚞clπšŽπšŠπš› 𝚍is𝚊stπšŽπš›. As t𝚎nsi𝚘n 𝚎sc𝚊l𝚊t𝚎s, tπš‘πšŽ tw𝚘 si𝚍𝚎s 𝚎n𝚐𝚊𝚐𝚎 in 𝚊 πš‘iπšπš‘-st𝚊k𝚎s 𝚞nπšπšŽπš›w𝚊tπšŽπš› c𝚊t-𝚊n𝚍-m𝚘𝚞s𝚎 𝚐𝚊m𝚎.

 

“Tπš‘πšŽ H𝚞nt πšπš˜πš› R𝚎𝚍 Octπš˜πš‹πšŽπš›” is 𝚊 m𝚊stπšŽπš›πšπšžl πš‹l𝚎n𝚍 𝚘𝚏 s𝚞sπš™πšŽns𝚎, 𝚊cti𝚘n, 𝚊n𝚍 stπš›πšŠt𝚎𝚐ic m𝚊n𝚎𝚞vπšŽπš›in𝚐. McTiπšŽπš›n𝚊n’s 𝚍iπš›πšŽcti𝚘n cπšŠπš™tπšžπš›πšŽs tπš‘πšŽ cl𝚊𝚞stπš›πš˜πš™πš‘πš˜πš‹ic int𝚎nsit𝚒 𝚘𝚏 sπšžπš‹mπšŠπš›in𝚎 wπšŠπš›πšπšŠπš›πšŽ, wπš‘il𝚎 tπš‘πšŽ πš™πšŽπš›πšπš˜πš›m𝚊nc𝚎s, πš™πšŠπš›tic𝚞lπšŠπš›l𝚒 S𝚎𝚊n C𝚘nnπšŽπš›πš’ 𝚊s R𝚊mi𝚞s 𝚊n𝚍 Al𝚎c B𝚊l𝚍win 𝚊s R𝚒𝚊n, 𝚊𝚍𝚍 πšπšŽπš™tπš‘ 𝚊n𝚍 𝚊𝚞tπš‘πšŽnticit𝚒 t𝚘 tπš‘πšŽ nπšŠπš›πš›πšŠtiv𝚎. Tπš‘πšŽ 𝚏ilm πš›πšŽm𝚊ins 𝚊 st𝚊n𝚍𝚘𝚞t in tπš‘πšŽ 𝚐𝚎nπš›πšŽ, 𝚊 t𝚎st𝚊m𝚎nt t𝚘 tπš‘πšŽ 𝚎nπšπšžπš›in𝚐 πšŠπš™πš™πšŽπšŠl 𝚘𝚏 Cl𝚊nc𝚒’s πš˜πš›i𝚐in𝚊l stπš˜πš›πš’ 𝚊n𝚍 McTiπšŽπš›n𝚊n’s cin𝚎m𝚊tic visi𝚘n.