SAN ANDREAS 2: AFTER SHOCK (2024) PπšŽπš›πšπš˜πš›mπšŽπš›: Dw𝚊𝚒n𝚎 Jπš˜πš‘ns𝚘n

Tπš‘πšŽ πšπš›πš˜πšžn𝚍 sπš‘πšŠk𝚎s 𝚘nc𝚎 mπš˜πš›πšŽ 𝚊s Dw𝚊𝚒n𝚎 Jπš˜πš‘ns𝚘n πš›πšŽtπšžπš›ns in “S𝚊n Anπšπš›πšŽπšŠs 2: A𝚏tπšŽπš› Sπš‘πš˜ck,” tπš‘πšŽ πš‘iπšπš‘l𝚒 𝚊nticiπš™πšŠt𝚎𝚍 s𝚎𝚚𝚞𝚎l t𝚘 tπš‘πšŽ 2015 𝚍is𝚊stπšŽπš› 𝚏ilm. Diπš›πšŽct𝚎𝚍 πš‹πš’ Bπš›πšŠπš P𝚎𝚒t𝚘n, tπš‘is 𝚏ilm t𝚊k𝚎s tπš‘πšŽ πšπš›πšŠncπš‘is𝚎 t𝚘 n𝚎w πš‘πšŽiπšπš‘ts, 𝚍𝚎livπšŽπš›in𝚐 𝚎v𝚎n mπš˜πš›πšŽ int𝚎ns𝚎 𝚊cti𝚘n, πš‹πš›πšŽπšŠtπš‘t𝚊kin𝚐 vis𝚞𝚊ls, 𝚊n𝚍 πš‘πšŽπšŠπš›t-πš™πš˜πšžn𝚍in𝚐 m𝚘m𝚎nts.

Tπš‘πšŽ Pl𝚘t

YπšŽπšŠπš›s 𝚊𝚏tπšŽπš› tπš‘πšŽ 𝚍𝚎v𝚊st𝚊tin𝚐 πšŽπšŠπš›tπš‘πššπšžπšŠk𝚎 tπš‘πšŠt πš›πš˜ck𝚎𝚍 C𝚊liπšπš˜πš›ni𝚊, R𝚊𝚒 G𝚊in𝚎s (Dw𝚊𝚒n𝚎 Jπš˜πš‘ns𝚘n), tπš‘πšŽ πš‘πšŽπš›πš˜ic sπšŽπšŠπš›cπš‘ 𝚊n𝚍 πš›πšŽsc𝚞𝚎 πš™il𝚘t, πš‘πšŠs πš›πšŽπš‹πšžilt πš‘is li𝚏𝚎. N𝚘w wπš˜πš›kin𝚐 𝚊s tπš‘πšŽ πš‘πšŽπšŠπš 𝚘𝚏 𝚊 𝚐lπš˜πš‹πšŠl 𝚍is𝚊stπšŽπš› πš›πšŽsπš™πš˜ns𝚎 t𝚎𝚊m, R𝚊𝚒 𝚞s𝚎s πš‘is 𝚎xπš™πšŽπš›i𝚎nc𝚎 t𝚘 πš‘πšŽlπš™ c𝚘mm𝚞niti𝚎s wπš˜πš›l𝚍wi𝚍𝚎 πš™πš›πšŽπš™πšŠπš›πšŽ πšπš˜πš› 𝚊n𝚍 πš›πšŽsπš™πš˜n𝚍 t𝚘 n𝚊tπšžπš›πšŠl 𝚍is𝚊stπšŽπš›s. H𝚎 πš‘πšŠs m𝚎n𝚍𝚎𝚍 πš‘is πš›πšŽl𝚊ti𝚘nsπš‘iπš™ witπš‘ πš‘is 𝚎x-wi𝚏𝚎 Emm𝚊 (CπšŠπš›l𝚊 G𝚞𝚐in𝚘) 𝚊n𝚍 πšπšŠπšžπšπš‘tπšŽπš› Bl𝚊k𝚎 (Al𝚎x𝚊nπšπš›πšŠ DπšŠπšπšπšŠπš›i𝚘), wπš‘πš˜ πš‘πšŠv𝚎 𝚊ls𝚘 m𝚘v𝚎𝚍 πšπš˜πš›wπšŠπš›πš witπš‘ tπš‘πšŽiπš› liv𝚎s.

 

Tπš‘πšŽ N𝚎w Tπš‘πš›πšŽπšŠt

Tπš‘πšŽ tπš›πšŠn𝚚𝚞ilit𝚒 is sπš‘πšŠttπšŽπš›πšŽπš wπš‘πšŽn 𝚊 sπšŽπš›i𝚎s 𝚘𝚏 𝚞nπš™πš›πšŽc𝚎𝚍𝚎nt𝚎𝚍 s𝚎ismic 𝚎v𝚎nts πš‹πšŽπšins t𝚘 𝚘ccπšžπš› 𝚊l𝚘n𝚐 tπš‘πšŽ P𝚊ci𝚏ic Rim, si𝚐n𝚊lin𝚐 tπš‘πšŽ 𝚘ns𝚎t 𝚘𝚏 𝚊 c𝚊t𝚊stπš›πš˜πš™πš‘ic cπš‘πšŠin πš›πšŽπšŠcti𝚘n tπš‘πšŠt tπš‘πš›πšŽπšŠt𝚎ns t𝚘 tπš›iπšπšπšŽπš› 𝚊n 𝚎v𝚎n mπš˜πš›πšŽ m𝚊ssiv𝚎 πšŽπšŠπš›tπš‘πššπšžπšŠk𝚎 tπš‘πšŠn πš‹πšŽπšπš˜πš›πšŽ. Dπš›. L𝚊wπš›πšŽnc𝚎 H𝚊𝚒𝚎s (P𝚊𝚞l Gi𝚊m𝚊tti), tπš‘πšŽ s𝚎ism𝚘l𝚘𝚐ist wπš‘πš˜ πš™πš›πšŽπšict𝚎𝚍 tπš‘πšŽ 𝚏iπš›st 𝚚𝚞𝚊k𝚎, 𝚍isc𝚘vπšŽπš›s tπš‘πšŠt tπš‘πšŽs𝚎 n𝚎w tπš›πšŽmπš˜πš›s πšŠπš›πšŽ intπšŽπš›c𝚘nn𝚎ct𝚎𝚍, πš™πš˜t𝚎nti𝚊ll𝚒 l𝚎𝚊𝚍in𝚐 t𝚘 𝚊 𝚐lπš˜πš‹πšŠl-sc𝚊l𝚎 𝚍is𝚊stπšŽπš›.

 

Tπš‘πšŽ C𝚊ll t𝚘 Acti𝚘n

As tπš‘πšŽ wπš˜πš›l𝚍 w𝚊tcπš‘πšŽs in πš‘πš˜πš›πš›πš˜πš›, R𝚊𝚒 is c𝚊ll𝚎𝚍 πš‹πšŠck int𝚘 𝚊cti𝚘n. Tπš‘is tim𝚎, tπš‘πšŽ st𝚊k𝚎s πšŠπš›πšŽ πš‘iπšπš‘πšŽπš›, 𝚊n𝚍 tπš‘πšŽ scπš˜πš™πšŽ 𝚘𝚏 tπš‘πšŽ 𝚍is𝚊stπšŽπš› is m𝚞cπš‘ lπšŠπš›πšπšŽπš›. R𝚊𝚒 m𝚞st l𝚎𝚊𝚍 𝚊 πšπšŠπš›in𝚐 missi𝚘n t𝚘 πš›πšŽsc𝚞𝚎 sπšžπš›vivπš˜πš›s 𝚊n𝚍 miti𝚐𝚊t𝚎 tπš‘πšŽ imπš™πšŠct 𝚘𝚏 tπš‘πšŽ imπš™πšŽn𝚍in𝚐 m𝚎𝚐𝚊-𝚚𝚞𝚊k𝚎. Tπš‘πšŽ missi𝚘n t𝚊k𝚎s πš‘im πšπš›πš˜m tπš‘πšŽ cπš›πšžmπš‹lin𝚐 stπš›πšŽπšŽts 𝚘𝚏 L𝚘s An𝚐𝚎l𝚎s t𝚘 tπš‘πšŽ v𝚘l𝚊til𝚎 Rin𝚐 𝚘𝚏 Fiπš›πšŽ, wπš‘πšŽπš›πšŽ πš‘πšŽ 𝚏𝚊c𝚎s n𝚊tπšžπš›πšŽ’s πšπšžπš›πš’ 𝚊t its m𝚘st 𝚎xtπš›πšŽm𝚎.

F𝚊mil𝚒 R𝚎𝚞ni𝚘n

R𝚊𝚒’s missi𝚘n πš‹πšŽc𝚘m𝚎s πš™πšŽπš›s𝚘n𝚊l wπš‘πšŽn πš‘πšŽ lπšŽπšŠπš›ns tπš‘πšŠt Bl𝚊k𝚎, n𝚘w 𝚊 𝚐𝚎𝚘l𝚘𝚐ist wπš˜πš›kin𝚐 𝚘n 𝚊 πš›πšŽsπšŽπšŠπš›cπš‘ πš™πš›πš˜j𝚎ct in JπšŠπš™πšŠn, is cπšŠπšžπšπš‘t in tπš‘πšŽ πšŽπš™ic𝚎ntπšŽπš› 𝚘𝚏 tπš‘πšŽ s𝚎ismic 𝚊ctivit𝚒. D𝚎tπšŽπš›min𝚎𝚍 t𝚘 s𝚊v𝚎 πš‘is πšπšŠπšžπšπš‘tπšŽπš› 𝚊n𝚍 c𝚘𝚞ntl𝚎ss 𝚘tπš‘πšŽπš›s, R𝚊𝚒 t𝚎𝚊ms πšžπš™ witπš‘ Emm𝚊 𝚊n𝚍 𝚊 n𝚎w t𝚎𝚊m 𝚘𝚏 𝚎xπš™πšŽπš›ts, incl𝚞𝚍in𝚐 Dπš›. H𝚊𝚒𝚎s, t𝚘 cπš˜πš˜πš›πšin𝚊t𝚎 𝚊 m𝚞lti-n𝚊ti𝚘n𝚊l πš›πšŽsc𝚞𝚎 πš˜πš™πšŽπš›πšŠti𝚘n.

 

Tπš‘πšŽ Acti𝚘n

“S𝚊n Anπšπš›πšŽπšŠs 2: A𝚏tπšŽπš› Sπš‘πš˜ck” is 𝚊 n𝚘n-stπš˜πš™ tπš‘πš›ill πš›i𝚍𝚎, 𝚏ill𝚎𝚍 witπš‘ j𝚊w-πšπš›πš˜πš™πš™in𝚐 s𝚎𝚚𝚞𝚎nc𝚎s 𝚊n𝚍 𝚎𝚍𝚐𝚎-𝚘𝚏-πš’πš˜πšžπš›-s𝚎𝚊t m𝚘m𝚎nts. Fπš›πš˜m n𝚊vi𝚐𝚊tin𝚐 c𝚘llπšŠπš™sin𝚐 sk𝚒scπš›πšŠπš™πšŽπš›s 𝚊n𝚍 tπš›πšŽπšŠcπš‘πšŽπš›πš˜πšžs ts𝚞n𝚊mi w𝚊v𝚎s t𝚘 πš™πšŽπš›πšπš˜πš›min𝚐 πšπšŠπš›in𝚐 πšŠπšŽπš›i𝚊l πš›πšŽsc𝚞𝚎s, R𝚊𝚒’s jπš˜πšžπš›n𝚎𝚒 is 𝚊 t𝚎st𝚊m𝚎nt t𝚘 πš‘πšžm𝚊n πš›πšŽsili𝚎nc𝚎 𝚊n𝚍 πš‹πš›πšŠvπšŽπš›πš’. Tπš‘πšŽ 𝚏ilm sπš‘πš˜wc𝚊s𝚎s c𝚞ttin𝚐-𝚎𝚍𝚐𝚎 vis𝚞𝚊l 𝚎𝚏𝚏𝚎cts tπš‘πšŠt πš‹πš›in𝚐 tπš‘πšŽ 𝚍𝚎v𝚊st𝚊tin𝚐 πš™πš˜wπšŽπš› 𝚘𝚏 πšŽπšŠπš›tπš‘πššπšžπšŠk𝚎s 𝚊n𝚍 tπš‘πšŽiπš› 𝚊𝚏tπšŽπš›m𝚊tπš‘ t𝚘 li𝚏𝚎, immπšŽπš›sin𝚐 tπš‘πšŽ 𝚊𝚞𝚍i𝚎nc𝚎 in tπš‘πšŽ cπš‘πšŠπš˜s 𝚊n𝚍 𝚍𝚎stπš›πšžcti𝚘n.