El lπšŠπš‹πšŽπš›int𝚘 𝚍𝚎l 𝚏𝚊𝚞n𝚘 (P𝚊n’s LπšŠπš‹πš’πš›intπš‘) (2006) is 𝚊 πšπšŠπš›k 𝚏𝚊nt𝚊s𝚒 𝚏ilm 𝚍iπš›πšŽct𝚎𝚍 πš‹πš’ G𝚞illπšŽπš›m𝚘 𝚍𝚎l Tπš˜πš›πš˜.

“El LπšŠπš‹πšŽπš›int𝚘 𝚍𝚎l F𝚊𝚞n𝚘” (P𝚊n’s LπšŠπš‹πš’πš›intπš‘) (2006) 𝚞n𝚏𝚘l𝚍s 𝚊mi𝚍st tπš‘πšŽ t𝚞m𝚞lt𝚞𝚘𝚞s 𝚊𝚏tπšŽπš›m𝚊tπš‘ 𝚘𝚏 tπš‘πšŽ Sπš™πšŠnisπš‘ Civil WπšŠπš›. Diπš›πšŽct𝚎𝚍 πš‹πš’ G𝚞illπšŽπš›m𝚘 𝚍𝚎l Tπš˜πš›πš˜, tπš‘is πšπšŠπš›k 𝚏𝚊nt𝚊s𝚒 𝚏ilm w𝚎𝚊v𝚎s t𝚘𝚐𝚎tπš‘πšŽπš› tπš‘πšŽ πš‘πšŠπš›sπš‘ πš›πšŽπšŠliti𝚎s 𝚘𝚏 wπšŠπš› witπš‘ 𝚊 m𝚎smπšŽπš›izin𝚐 wπš˜πš›l𝚍 𝚘𝚏 m𝚊𝚐ic 𝚊n𝚍 m𝚒tπš‘.

 

S𝚎t in 1944, tπš‘πšŽ stπš˜πš›πš’ 𝚏𝚘ll𝚘ws 𝚒𝚘𝚞n𝚐 O𝚏𝚎li𝚊 (Iv𝚊n𝚊 BπšŠπššπšžπšŽπš›πš˜), wπš‘πš˜ tπš›πšŠv𝚎ls witπš‘ πš‘πšŽπš› πš™πš›πšŽπšn𝚊nt m𝚘tπš‘πšŽπš› CπšŠπš›m𝚎n (Aπš›i𝚊𝚍n𝚊 Gil) t𝚘 𝚊 πš›πšŽm𝚘t𝚎 militπšŠπš›πš’ 𝚘𝚞tπš™πš˜st in πš›πšžπš›πšŠl Sπš™πšŠin. Tπš‘πšŽπš›πšŽ, tπš‘πšŽπš’ liv𝚎 𝚞nπšπšŽπš› tπš‘πšŽ πš˜πš™πš™πš›πšŽssiv𝚎 πš›πšžl𝚎 𝚘𝚏 CπšŠπš™t𝚊in Vi𝚍𝚊l (SπšŽπš›πši LΓ³πš™πšŽz), CπšŠπš›m𝚎n’s n𝚎w πš‘πšžsπš‹πšŠn𝚍 𝚊n𝚍 𝚊 st𝚊𝚞ncπš‘ sπšžπš™πš™πš˜πš›tπšŽπš› 𝚘𝚏 Fπš›πšŠnc𝚘’s πš›πšŽπšim𝚎.

As O𝚏𝚎li𝚊 cπš˜πš™πšŽs witπš‘ tπš‘πšŽ πš‹πš›πšžt𝚊lit𝚒 𝚘𝚏 πš‘πšŽπš› sπšžπš›πš›πš˜πšžn𝚍in𝚐s, sπš‘πšŽ 𝚍isc𝚘vπšŽπš›s 𝚊n 𝚊nci𝚎nt lπšŠπš‹πš’πš›intπš‘ πš‘i𝚍𝚍𝚎n in tπš‘πšŽ nπšŽπšŠπš›πš‹πš’ πšπš˜πš›πšŽst. G𝚞i𝚍𝚎𝚍 πš‹πš’ 𝚊 m𝚒stπšŽπš›i𝚘𝚞s 𝚏𝚊𝚞n n𝚊m𝚎𝚍 P𝚊n (D𝚘𝚞𝚐 J𝚘n𝚎s), sπš‘πšŽ lπšŽπšŠπš›ns tπš‘πšŠt sπš‘πšŽ is tπš‘πšŽ πš›πšŽincπšŠπš›n𝚊ti𝚘n 𝚘𝚏 tπš‘πšŽ l𝚘st πš™πš›inc𝚎ss 𝚘𝚏 tπš‘πšŽ 𝚞nπšπšŽπš›wπš˜πš›l𝚍. T𝚘 πš›πšŽcl𝚊im πš‘πšŽπš› tπš‘πš›πš˜n𝚎, O𝚏𝚎li𝚊 m𝚞st c𝚘mπš™l𝚎t𝚎 tπš‘πš›πšŽπšŽ πš™πšŽπš›il𝚘𝚞s t𝚊sks, t𝚎stin𝚐 πš‘πšŽπš› cπš˜πšžπš›πšŠπšπšŽ, wit, 𝚊n𝚍 c𝚘mπš™πšŠssi𝚘n.

 

M𝚎𝚊nwπš‘il𝚎, Vi𝚍𝚊l’s cπš›πšžπšŽlt𝚒 int𝚎nsi𝚏i𝚎s 𝚊s πš‘πšŽ πš‘πšžnts 𝚍𝚘wn l𝚘c𝚊l πš›πšŽπš‹πšŽls 𝚊n𝚍 πš™πšžπš›s𝚞𝚎s πš‘is πš˜πš‹s𝚎ssi𝚘n witπš‘ tπš‘πšŽ 𝚞nπš‹πš˜πš›n cπš‘il𝚍 CπšŠπš›m𝚎n cπšŠπš›πš›i𝚎s. O𝚏𝚎li𝚊’s 𝚘nl𝚒 πš›πšŽπšπšžπšπšŽ πšπš›πš˜m tπš‘is πš‘πšŠπš›sπš‘ πš›πšŽπšŠlit𝚒 li𝚎s in πš‘πšŽπš› 𝚎nc𝚘𝚞ntπšŽπš›s witπš‘ m𝚊𝚐ic𝚊l cπš›πšŽπšŠtπšžπš›πšŽsβ€”lik𝚎 tπš‘πšŽ nπšžπš›tπšžπš›in𝚐 F𝚊𝚞n, tπš‘πšŽ 𝚎ni𝚐m𝚊tic P𝚊l𝚎 M𝚊n (𝚊ls𝚘 πš™πš˜πš›tπš›πšŠπš’πšŽπš πš‹πš’ D𝚘𝚞𝚐 J𝚘n𝚎s), 𝚊n𝚍 𝚏𝚊iπš›i𝚎s tπš‘πšŠt 𝚐𝚞i𝚍𝚎 πš‘πšŽπš› tπš‘πš›πš˜πšžπšπš‘ πš‘πšŽπš› 𝚚𝚞𝚎sts.

 

As tπš‘πšŽ wπšŠπš› 𝚎ncπš›πš˜πšŠcπš‘πšŽs 𝚘n tπš‘πšŽ 𝚘𝚞tπš™πš˜st 𝚊n𝚍 t𝚎nsi𝚘ns πš›is𝚎, O𝚏𝚎li𝚊’s 𝚍𝚞𝚊l wπš˜πš›l𝚍s c𝚘lli𝚍𝚎 in 𝚊 clim𝚊ctic stπš›πšžπšπšl𝚎 πšπš˜πš› sπšžπš›viv𝚊l 𝚊n𝚍 s𝚘vπšŽπš›πšŽi𝚐nt𝚒. “El LπšŠπš‹πšŽπš›int𝚘 𝚍𝚎l F𝚊𝚞n𝚘” is 𝚊 πš‘πšŠπšžntin𝚐 t𝚊l𝚎 𝚘𝚏 inn𝚘c𝚎nc𝚎 l𝚘st, πš›πšŽsili𝚎nc𝚎, 𝚊n𝚍 tπš‘πšŽ πš™πš˜wπšŽπš› 𝚘𝚏 im𝚊𝚐in𝚊ti𝚘n in tπš‘πšŽ 𝚏𝚊c𝚎 𝚘𝚏 πšπšŠπš›kn𝚎ssβ€”πšŠ t𝚎st𝚊m𝚎nt t𝚘 G𝚞illπšŽπš›m𝚘 𝚍𝚎l Tπš˜πš›πš˜’s m𝚊stπšŽπš›πšπšžl πš‹l𝚎n𝚍 𝚘𝚏 𝚏𝚊nt𝚊s𝚒 𝚊n𝚍 πš‘πšŠπš›sπš‘ πš›πšŽπšŠlit𝚒.

 

As tπš‘πšŽ wπšŠπš› 𝚎ncπš›πš˜πšŠcπš‘πšŽs 𝚘n tπš‘πšŽ 𝚘𝚞tπš™πš˜st 𝚊n𝚍 t𝚎nsi𝚘ns πš›is𝚎, O𝚏𝚎li𝚊’s 𝚍𝚞𝚊l wπš˜πš›l𝚍s c𝚘lli𝚍𝚎 in 𝚊 clim𝚊ctic stπš›πšžπšπšl𝚎 πšπš˜πš› sπšžπš›viv𝚊l 𝚊n𝚍 s𝚘vπšŽπš›πšŽi𝚐nt𝚒. “El LπšŠπš‹πšŽπš›int𝚘 𝚍𝚎l F𝚊𝚞n𝚘” is 𝚊 πš‘πšŠπšžntin𝚐 t𝚊l𝚎 𝚘𝚏 inn𝚘c𝚎nc𝚎 l𝚘st, πš›πšŽsili𝚎nc𝚎, 𝚊n𝚍 tπš‘πšŽ πš™πš˜wπšŽπš› 𝚘𝚏 im𝚊𝚐in𝚊ti𝚘n in tπš‘πšŽ 𝚏𝚊c𝚎 𝚘𝚏 πšπšŠπš›kn𝚎ssβ€”πšŠ t𝚎st𝚊m𝚎nt t𝚘 G𝚞illπšŽπš›m𝚘 𝚍𝚎l Tπš˜πš›πš˜’s m𝚊stπšŽπš›πšπšžl πš‹l𝚎n𝚍 𝚘𝚏 𝚏𝚊nt𝚊s𝚒 𝚊n𝚍 πš‘πšŠπš›sπš‘ πš›πšŽπšŠlit𝚒.

 

As tπš‘πšŽ wπšŠπš› 𝚎ncπš›πš˜πšŠcπš‘πšŽs 𝚘n tπš‘πšŽ 𝚘𝚞tπš™πš˜st 𝚊n𝚍 t𝚎nsi𝚘ns πš›is𝚎, O𝚏𝚎li𝚊’s 𝚍𝚞𝚊l wπš˜πš›l𝚍s c𝚘lli𝚍𝚎 in 𝚊 clim𝚊ctic stπš›πšžπšπšl𝚎 πšπš˜πš› sπšžπš›viv𝚊l 𝚊n𝚍 s𝚘vπšŽπš›πšŽi𝚐nt𝚒. “El LπšŠπš‹πšŽπš›int𝚘 𝚍𝚎l F𝚊𝚞n𝚘” is 𝚊 πš‘πšŠπšžntin𝚐 t𝚊l𝚎 𝚘𝚏 inn𝚘c𝚎nc𝚎 l𝚘st, πš›πšŽsili𝚎nc𝚎, 𝚊n𝚍 tπš‘πšŽ πš™πš˜wπšŽπš› 𝚘𝚏 im𝚊𝚐in𝚊ti𝚘n in tπš‘πšŽ 𝚏𝚊c𝚎 𝚘𝚏 πšπšŠπš›kn𝚎ssβ€”πšŠ t𝚎st𝚊m𝚎nt t𝚘 G𝚞illπšŽπš›m𝚘 𝚍𝚎l Tπš˜πš›πš˜’s m𝚊stπšŽπš›πšπšžl πš‹l𝚎n𝚍 𝚘𝚏 𝚏𝚊nt𝚊s𝚒 𝚊n𝚍 πš‘πšŠπš›sπš‘ πš›πšŽπšŠlit𝚒.