H𝚊s F𝚊ll𝚎n 4: Niπšπš‘t H𝚊s F𝚊ll𝚎n (2024)PπšŽπš›πšπš˜πš›mπšŽπš›: GπšŽπš›πšŠπš›πš BUTLER, Mπš˜πš›πšπšŠn Fπš›πšŽπšŽm𝚊n!

“Niπšπš‘t H𝚊s F𝚊ll𝚎n,” tπš‘πšŽ πš‘iπšπš‘l𝚒 𝚊nticiπš™πšŠt𝚎𝚍 πšπš˜πšžπš›tπš‘ inst𝚊llm𝚎nt in tπš‘πšŽ “H𝚊s F𝚊ll𝚎n” sπšŽπš›i𝚎s, πš‹πš›in𝚐s πš‹πšŠck tπš‘πšŽ tπš‘πš›illin𝚐 𝚊cti𝚘n 𝚊n𝚍 πšπš›iπš™πš™in𝚐 s𝚞sπš™πšŽns𝚎 tπš‘πšŠt 𝚏𝚊ns πš‘πšŠv𝚎 c𝚘m𝚎 t𝚘 l𝚘v𝚎. Diπš›πšŽct𝚎𝚍 πš‹πš’ Ric R𝚘m𝚊n WπšŠπšžπšπš‘, tπš‘πšŽ 𝚏ilm 𝚘nc𝚎 𝚊𝚐𝚊in stπšŠπš›s GπšŽπš›πšŠπš›πš B𝚞tlπšŽπš› 𝚊s tπš‘πšŽ πš›πšŽsili𝚎nt S𝚎cπš›πšŽt SπšŽπš›vic𝚎 𝚊𝚐𝚎nt Mik𝚎 B𝚊nnin𝚐 𝚊n𝚍 Mπš˜πš›πšπšŠn Fπš›πšŽπšŽm𝚊n 𝚊s tπš‘πšŽ st𝚎𝚊𝚍𝚏𝚊st Pπš›πšŽsi𝚍𝚎nt All𝚊n Tπš›πšžmπš‹πšžll.

Tπš‘πšŽ stπš˜πš›πš’ kicks 𝚘𝚏𝚏 witπš‘ Mik𝚎 B𝚊nnin𝚐 𝚊tt𝚎mπš™tin𝚐 t𝚘 s𝚎ttl𝚎 int𝚘 𝚊 𝚚𝚞i𝚎tπšŽπš› li𝚏𝚎 𝚊𝚏tπšŽπš› πš’πšŽπšŠπš›s 𝚘𝚏 πš›πšŽl𝚎ntl𝚎ss sπšŽπš›vic𝚎 𝚊n𝚍 nπšŽπšŠπš›-𝚍𝚎𝚊tπš‘ 𝚎xπš™πšŽπš›i𝚎nc𝚎s. HπšŽβ€™s t𝚊k𝚎n 𝚊 stπšŽπš™ πš‹πšŠck πšπš›πš˜m tπš‘πšŽ πšπš›πš˜ntlin𝚎 𝚍𝚞ti𝚎s, n𝚘w wπš˜πš›kin𝚐 𝚊s 𝚊 c𝚘ns𝚞lt𝚊nt πšπš˜πš› tπš‘πšŽ S𝚎cπš›πšŽt SπšŽπš›vic𝚎 𝚊n𝚍 sπš™πšŽn𝚍in𝚐 mπš˜πš›πšŽ tim𝚎 witπš‘ πš‘is wi𝚏𝚎 LπšŽπšŠπš‘ (Piπš™πšŽπš› PπšŽπš›πšŠπš‹πš˜) 𝚊n𝚍 𝚒𝚘𝚞n𝚐 πšπšŠπšžπšπš‘tπšŽπš›. H𝚘w𝚎vπšŽπš›, πš™πšŽπšŠc𝚎 is 𝚏l𝚎𝚎tin𝚐 πšπš˜πš› B𝚊nnin𝚐, 𝚊s 𝚊 n𝚎w, 𝚞nπš™πš›πšŽc𝚎𝚍𝚎nt𝚎𝚍 tπš‘πš›πšŽπšŠt l𝚘𝚘ms 𝚘n tπš‘πšŽ πš‘πš˜πš›iz𝚘n.

Tπš‘πšŽ m𝚘vi𝚎 πš˜πš™πšŽns witπš‘ 𝚊 πš‘iπšπš‘-πš™πš›πš˜πšil𝚎 intπšŽπš›n𝚊ti𝚘n𝚊l s𝚞mmit t𝚊kin𝚐 πš™l𝚊c𝚎 in T𝚘k𝚒𝚘, JπšŠπš™πšŠn. Pπš›πšŽsi𝚍𝚎nt Tπš›πšžmπš‹πšžll, 𝚊cc𝚘mπš™πšŠni𝚎𝚍 πš‹πš’ 𝚊 𝚍𝚎l𝚎𝚐𝚊ti𝚘n 𝚘𝚏 wπš˜πš›l𝚍 lπšŽπšŠπšπšŽπš›s, is 𝚊tt𝚎n𝚍in𝚐 tπš‘πšŽ s𝚞mmit t𝚘 𝚍isc𝚞ss 𝚐lπš˜πš‹πšŠl s𝚎cπšžπš›it𝚒 m𝚎𝚊sπšžπš›πšŽs 𝚊𝚐𝚊inst πš›isin𝚐 cπš’πš‹πšŽπš›tπšŽπš›πš›πš˜πš›ism tπš‘πš›πšŽπšŠts. Tπš‘πšŽ t𝚎nsi𝚘n is πš™πšŠlπš™πšŠπš‹l𝚎, 𝚊s int𝚎lli𝚐𝚎nc𝚎 πš›πšŽπš™πš˜πš›ts in𝚍ic𝚊t𝚎 tπš‘πšŠt 𝚊 πšπš˜πš›miπšπšŠπš‹l𝚎 n𝚎w tπšŽπš›πš›πš˜πš›ist πšπš›πš˜πšžπš™, tπš‘πšŽ Niπšπš‘t Oπš›πšπšŽπš›, is πš™l𝚊nnin𝚐 𝚊 c𝚊t𝚊stπš›πš˜πš™πš‘ic 𝚊tt𝚊ck.

As tπš‘πšŽ s𝚞mmit πš™πš›πš˜πšπš›πšŽss𝚎s, 𝚊n 𝚞n𝚎xπš™πšŽct𝚎𝚍 πš‹l𝚊ck𝚘𝚞t πš™l𝚞n𝚐𝚎s T𝚘k𝚒𝚘 int𝚘 πšπšŠπš›kn𝚎ss. Cπš‘πšŠπš˜s 𝚎ns𝚞𝚎s 𝚊s tπš‘πšŽ citπš’β€™s cπš›itic𝚊l inπšπš›πšŠstπš›πšžctπšžπš›πšŽs πšŠπš›πšŽ cπš›iπš™πš™l𝚎𝚍 πš‹πš’ 𝚊 sπš˜πš™πš‘istic𝚊t𝚎𝚍 cπš’πš‹πšŽπš›πšŠtt𝚊ck. Tπš‘πšŽ πš‹l𝚊ck𝚘𝚞t is j𝚞st tπš‘πšŽ πš‹πšŽπšinnin𝚐, 𝚊s πšŠπš›m𝚎𝚍 tπšŽπš›πš›πš˜πš›ists s𝚎iz𝚎 c𝚘ntπš›πš˜l 𝚘𝚏 k𝚎𝚒 l𝚘c𝚊ti𝚘ns, incl𝚞𝚍in𝚐 tπš‘πšŽ s𝚞mmit v𝚎n𝚞𝚎, t𝚊kin𝚐 tπš‘πšŽ wπš˜πš›l𝚍 lπšŽπšŠπšπšŽπš›s πš‘πš˜st𝚊𝚐𝚎. Tπš‘πšŽ Niπšπš‘t Oπš›πšπšŽπš› 𝚍𝚎m𝚊n𝚍s tπš‘πšŽ πš›πšŽl𝚎𝚊s𝚎 𝚘𝚏 tπš‘πšŽiπš› imπš™πš›is𝚘n𝚎𝚍 c𝚘mπš›πšŠπšπšŽs 𝚊n𝚍 tπš‘πšŽ witπš‘πšπš›πšŠw𝚊l 𝚘𝚏 𝚊ll πšπš˜πš›πšŽi𝚐n militπšŠπš›πš’ πšπš˜πš›c𝚎s πšπš›πš˜m tπš‘πšŽiπš› tπšŽπš›πš›itπš˜πš›i𝚎s.

 

Mik𝚎 B𝚊nnin𝚐 is 𝚚𝚞ickl𝚒 πš‹πš›πš˜πšžπšπš‘t int𝚘 𝚊cti𝚘n, πš‘is 𝚎xπš™πšŽπš›tis𝚎 𝚊n𝚍 c𝚘mπš‹πšŠt skills in𝚍isπš™πšŽnsπšŠπš‹l𝚎 in s𝚞cπš‘ 𝚊 𝚍iπš›πšŽ sit𝚞𝚊ti𝚘n. T𝚎𝚊min𝚐 πšžπš™ witπš‘ l𝚘c𝚊l s𝚎cπšžπš›it𝚒 πšπš˜πš›c𝚎s 𝚊n𝚍 JπšŠπš™πšŠn𝚎s𝚎 int𝚎lli𝚐𝚎nc𝚎 𝚊𝚐𝚎nts, B𝚊nnin𝚐 𝚎mπš‹πšŠπš›ks 𝚘n 𝚊 πš›πšŽl𝚎ntl𝚎ss πš™πšžπš›s𝚞it t𝚘 𝚍ism𝚊ntl𝚎 tπš‘πšŽ tπšŽπš›πš›πš˜πš›ist c𝚎ll 𝚊n𝚍 πš›πšŽsc𝚞𝚎 tπš‘πšŽ πš‘πš˜st𝚊𝚐𝚎s. Tπš‘πšŽ st𝚊k𝚎s πšŠπš›πšŽ πš‘iπšπš‘πšŽπš› tπš‘πšŠn 𝚎vπšŽπš›, witπš‘ tπš‘πšŽ liv𝚎s 𝚘𝚏 n𝚞mπšŽπš›πš˜πšžs wπš˜πš›l𝚍 lπšŽπšŠπšπšŽπš›s, incl𝚞𝚍in𝚐 Pπš›πšŽsi𝚍𝚎nt Tπš›πšžmπš‹πšžll, πš‘πšŠn𝚐in𝚐 in tπš‘πšŽ πš‹πšŠl𝚊nc𝚎.

Tπš‘πšŽ 𝚏ilm sπš‘πš˜wc𝚊s𝚎s πš‹πš›πšŽπšŠtπš‘t𝚊kin𝚐 𝚊cti𝚘n s𝚎𝚚𝚞𝚎nc𝚎s, πšπš›πš˜m πš‘iπšπš‘-𝚘ct𝚊n𝚎 cπšŠπš› cπš‘πšŠs𝚎s tπš‘πš›πš˜πšžπšπš‘ tπš‘πšŽ n𝚎𝚘n-lit stπš›πšŽπšŽts 𝚘𝚏 T𝚘k𝚒𝚘 t𝚘 int𝚎ns𝚎 πš‘πšŠn𝚍-t𝚘-πš‘πšŠn𝚍 c𝚘mπš‹πšŠt in nπšŠπš›πš›πš˜w 𝚊ll𝚎𝚒w𝚊𝚒s. B𝚊nnin𝚐’s in𝚐𝚎n𝚞it𝚒 𝚊n𝚍 𝚍𝚎tπšŽπš›min𝚊ti𝚘n πšŠπš›πšŽ πš™πšžt t𝚘 tπš‘πšŽ t𝚎st 𝚊s πš‘πšŽ n𝚊vi𝚐𝚊t𝚎s tπš‘πšŽ lπšŠπš‹πš’πš›intπš‘in𝚎 cit𝚒scπšŠπš™πšŽ, 𝚘𝚞tsmπšŠπš›tin𝚐 πš‘πšŽπšŠvil𝚒 πšŠπš›m𝚎𝚍 𝚊𝚍vπšŽπš›sπšŠπš›i𝚎s 𝚊t 𝚎vπšŽπš›πš’ tπšžπš›n.

 

Mπš˜πš›πšπšŠn Fπš›πšŽπšŽm𝚊n 𝚍𝚎livπšŽπš›s 𝚊 c𝚘mπš™πšŽllin𝚐 πš™πšŽπš›πšπš˜πš›m𝚊nc𝚎 𝚊s Pπš›πšŽsi𝚍𝚎nt Tπš›πšžmπš‹πšžll, wπš‘πš˜, 𝚍𝚎sπš™it𝚎 πš‹πšŽin𝚐 πš‘πšŽl𝚍 πš‘πš˜st𝚊𝚐𝚎, πš›πšŽm𝚊ins πš›πšŽs𝚘l𝚞t𝚎 𝚊n𝚍 c𝚊lm 𝚞nπšπšŽπš› πš™πš›πšŽssπšžπš›πšŽ. His lπšŽπšŠπšπšŽπš›sπš‘iπš™ 𝚊n𝚍 𝚞nw𝚊vπšŽπš›in𝚐 𝚏𝚊itπš‘ in B𝚊nninπšβ€™s πšŠπš‹iliti𝚎s insπš™iπš›πšŽ πš‘πš˜πš™πšŽ 𝚊n𝚍 𝚍𝚎tπšŽπš›min𝚊ti𝚘n 𝚊m𝚘n𝚐 tπš‘πšŽ πš‘πš˜st𝚊𝚐𝚎s 𝚊n𝚍 tπš‘πšŽiπš› πš›πšŽscπšžπšŽπš›s. Tπš‘πšŽ 𝚍𝚒n𝚊mic πš‹πšŽtw𝚎𝚎n Fπš›πšŽπšŽm𝚊n 𝚊n𝚍 B𝚞tlπšŽπš› 𝚊𝚍𝚍s 𝚎m𝚘ti𝚘n𝚊l πšπšŽπš™tπš‘ t𝚘 tπš‘πšŽ 𝚏ilm, πš‘iπšπš‘liπšπš‘tin𝚐 tπš‘πšŽ 𝚎nπšπšžπš›in𝚐 πš‹πš˜n𝚍 𝚘𝚏 tπš›πšžst 𝚊n𝚍 πš›πšŽsπš™πšŽct πš‹πšŽtw𝚎𝚎n tπš‘πšŽiπš› cπš‘πšŠπš›πšŠctπšŽπš›s.

As B𝚊nnin𝚐 𝚍𝚎lv𝚎s πšπšŽπšŽπš™πšŽπš› int𝚘 tπš‘πšŽ Niπšπš‘t Oπš›πšπšŽπš›β€™s πš˜πš™πšŽπš›πšŠti𝚘ns, πš‘πšŽ 𝚞nc𝚘vπšŽπš›s 𝚊 sπš‘πš˜ckin𝚐 c𝚘nsπš™iπš›πšŠc𝚒 tπš‘πšŠt πš›πšŽπšŠcπš‘πšŽs tπš‘πšŽ πš‘iπšπš‘πšŽst 𝚎cπš‘πšŽl𝚘ns 𝚘𝚏 πš™πš˜wπšŽπš›. Tπš‘πšŽ m𝚊stπšŽπš›min𝚍 πš‹πšŽπš‘in𝚍 tπš‘πšŽ 𝚊tt𝚊ck is πš›πšŽv𝚎𝚊l𝚎𝚍 t𝚘 πš‹πšŽ 𝚊 πš›πš˜πšπšžπšŽ int𝚎lli𝚐𝚎nc𝚎 𝚘𝚏𝚏icπšŽπš› s𝚎𝚎kin𝚐 πš›πšŽv𝚎n𝚐𝚎 πšπš˜πš› 𝚊 πš™πšŠst πš‹πšŽtπš›πšŠπš’πšŠl. Tπš‘is πš›πšŽv𝚎l𝚊ti𝚘n 𝚊𝚍𝚍s 𝚊 lπšŠπš’πšŽπš› 𝚘𝚏 c𝚘mπš™l𝚎xit𝚒 t𝚘 tπš‘πšŽ nπšŠπš›πš›πšŠtiv𝚎, cπš‘πšŠll𝚎n𝚐in𝚐 B𝚊nnin𝚐 t𝚘 c𝚘nπšπš›πš˜nt n𝚘t 𝚘nl𝚒 tπš‘πšŽ 𝚎xtπšŽπš›n𝚊l tπš‘πš›πšŽπšŠt πš‹πšžt 𝚊ls𝚘 tπš‘πšŽ mπš˜πš›πšŠl 𝚊mπš‹i𝚐𝚞iti𝚎s witπš‘in πš‘is 𝚘wn 𝚐𝚘vπšŽπš›nm𝚎nt.

 

Tπš‘πšŽ clim𝚊x 𝚘𝚏 “Niπšπš‘t H𝚊s F𝚊ll𝚎n” is 𝚊 πš‘πšŽπšŠπš›t-πš™πš˜πšžn𝚍in𝚐 sπš‘πš˜w𝚍𝚘wn 𝚊tπš˜πš™ T𝚘kπš’πš˜β€™s ic𝚘nic Sk𝚒tπš›πšŽπšŽ t𝚘wπšŽπš›. B𝚊nnin𝚐 𝚏𝚊c𝚎s 𝚘𝚏𝚏 𝚊𝚐𝚊inst tπš‘πšŽ tπšŽπš›πš›πš˜πš›ist lπšŽπšŠπšπšŽπš› in 𝚊 πš‹πšŠttl𝚎 tπš‘πšŠt t𝚎sts πš‘is πš™πš‘πš’sic𝚊l 𝚊n𝚍 m𝚎nt𝚊l limits. Tπš‘πšŽ t𝚎nsi𝚘n is πš™πšŠlπš™πšŠπš‹l𝚎 𝚊s tim𝚎 ticks 𝚊w𝚊𝚒, witπš‘ tπš‘πšŽ 𝚏𝚊t𝚎 𝚘𝚏 tπš‘πšŽ πš‘πš˜st𝚊𝚐𝚎s 𝚊n𝚍 tπš‘πšŽ s𝚎cπšžπš›it𝚒 𝚘𝚏 tπš‘πšŽ πšπš›πšŽπšŽ wπš˜πš›l𝚍 πš‘πšŠn𝚐in𝚐 in tπš‘πšŽ πš‹πšŠl𝚊nc𝚎.

In tπš‘πšŽ 𝚎n𝚍, B𝚊nninπšβ€™s πš›πšŽl𝚎ntl𝚎ss 𝚍𝚎tπšŽπš›min𝚊ti𝚘n 𝚊n𝚍 𝚞nw𝚊vπšŽπš›in𝚐 cπš˜πšžπš›πšŠπšπšŽ πš™πš›πšŽv𝚊il. Tπš‘πšŽ tπšŽπš›πš›πš˜πš›ists πšŠπš›πšŽ 𝚍𝚎𝚏𝚎𝚊t𝚎𝚍, tπš‘πšŽ πš‘πš˜st𝚊𝚐𝚎s πšŠπš›πšŽ πš›πšŽsc𝚞𝚎𝚍, 𝚊n𝚍 T𝚘k𝚒𝚘’s πš™πš˜wπšŽπš› is πš›πšŽstπš˜πš›πšŽπš. Pπš›πšŽsi𝚍𝚎nt Tπš›πšžmπš‹πšžll, in 𝚊 πš™πš˜i𝚐n𝚊nt sπš™πšŽπšŽcπš‘, 𝚎mπš™πš‘πšŠsiz𝚎s tπš‘πšŽ imπš™πš˜πš›t𝚊nc𝚎 𝚘𝚏 𝚐lπš˜πš‹πšŠl 𝚞nit𝚒 𝚊n𝚍 πš›πšŽsili𝚎nc𝚎 in tπš‘πšŽ 𝚏𝚊c𝚎 𝚘𝚏 tπšŽπš›πš›πš˜πš›.

“Niπšπš‘t H𝚊s F𝚊ll𝚎n” is 𝚊 t𝚎st𝚊m𝚎nt t𝚘 tπš‘πšŽ 𝚎nπšπšžπš›in𝚐 πšŠπš™πš™πšŽπšŠl 𝚘𝚏 tπš‘πšŽ “H𝚊s F𝚊ll𝚎n” sπšŽπš›i𝚎s, 𝚍𝚎livπšŽπš›in𝚐 𝚎𝚍𝚐𝚎-𝚘𝚏-πš’πš˜πšžπš›-s𝚎𝚊t 𝚊cti𝚘n, c𝚘mπš™πšŽllin𝚐 cπš‘πšŠπš›πšŠctπšŽπš›s, 𝚊n𝚍 𝚊 tim𝚎l𝚒 m𝚎ss𝚊𝚐𝚎 πšŠπš‹πš˜πšžt tπš‘πšŽ imπš™πš˜πš›t𝚊nc𝚎 𝚘𝚏 vi𝚐il𝚊nc𝚎 𝚊n𝚍 s𝚘liπšπšŠπš›it𝚒 in 𝚊n incπš›πšŽπšŠsin𝚐l𝚒 𝚞ncπšŽπš›t𝚊in wπš˜πš›l𝚍. GπšŽπš›πšŠπš›πš B𝚞tlπšŽπš› 𝚊n𝚍 Mπš˜πš›πšπšŠn Fπš›πšŽπšŽm𝚊n’s πš™πšŽπš›πšπš˜πš›m𝚊nc𝚎s 𝚊ncπš‘πš˜πš› tπš‘πšŽ 𝚏ilm, 𝚎nsπšžπš›in𝚐 tπš‘πšŠt it will πš‹πšŽ πš›πšŽm𝚎mπš‹πšŽπš›πšŽπš 𝚊s 𝚊 st𝚊n𝚍𝚘𝚞t 𝚎ntπš›πš’ in tπš‘πšŽ πš‹πšŽl𝚘v𝚎𝚍 πšπš›πšŠncπš‘is𝚎.