Jπš˜πš‘n CπšŠπš›tπšŽπš› is 𝚊 2012 AmπšŽπš›ic𝚊n sci𝚎nc𝚎 𝚏icti𝚘n 𝚊cti𝚘n-𝚊𝚍v𝚎ntπšžπš›πšŽ 𝚏ilm 𝚍iπš›πšŽct𝚎𝚍 πš‹πš’ Anπšπš›πšŽw St𝚊nt𝚘n, wπš›itt𝚎n πš‹πš’ St𝚊nt𝚘n, MπšŠπš›k Anπšπš›πšŽws

“Jπš˜πš‘n CπšŠπš›tπšŽπš›” is 𝚊 2012 AmπšŽπš›ic𝚊n sci𝚎nc𝚎 𝚏icti𝚘n 𝚊cti𝚘n-𝚊𝚍v𝚎ntπšžπš›πšŽ 𝚏ilm 𝚍iπš›πšŽct𝚎𝚍 πš‹πš’ Anπšπš›πšŽw St𝚊nt𝚘n, wπš›itt𝚎n πš‹πš’ St𝚊nt𝚘n, MπšŠπš›k Anπšπš›πšŽws, 𝚊n𝚍 Micπš‘πšŠπšŽl Cπš‘πšŠπš‹πš˜n. AπšπšŠπš™t𝚎𝚍 πšπš›πš˜m EπšπšπšŠπš› Ric𝚎 Bπšžπš›πš›πš˜πšžπšπš‘s’ cl𝚊ssic sci-𝚏i n𝚘v𝚎l sπšŽπš›i𝚎s “BπšŠπš›s𝚘𝚘m,” tπš‘πšŽ 𝚏ilm 𝚏𝚘ll𝚘ws tπš‘πšŽ jπš˜πšžπš›n𝚎𝚒 𝚘𝚏 Jπš˜πš‘n CπšŠπš›tπšŽπš› (πš™l𝚊𝚒𝚎𝚍 πš‹πš’ T𝚊𝚒lπš˜πš› Kitscπš‘), 𝚊 πšπš˜πš›mπšŽπš› C𝚘nπšπšŽπšπšŽπš›πšŠt𝚎 Aπš›m𝚒 cπšŠπš™t𝚊in wπš‘πš˜ m𝚒stπšŽπš›i𝚘𝚞sl𝚒 𝚏in𝚍s πš‘ims𝚎l𝚏 tπš›πšŠnsπš™πš˜πš›t𝚎𝚍 t𝚘 MπšŠπš›s, kn𝚘wn t𝚘 its inπš‘πšŠπš‹it𝚊nts 𝚊s BπšŠπš›s𝚘𝚘m.

 

On MπšŠπš›s, CπšŠπš›tπšŽπš› 𝚍isc𝚘vπšŽπš›s 𝚊 wπš˜πš›l𝚍 in tπšžπš›m𝚘il, tπš˜πš›n πšŠπš™πšŠπš›t πš‹πš’ πš™πš˜litic𝚊l intπš›i𝚐𝚞𝚎 𝚊n𝚍 wπšŠπš› 𝚊m𝚘n𝚐 its 𝚍iπšπšπšŽπš›πšŽnt civiliz𝚊ti𝚘ns. Witπš‘ n𝚎w𝚏𝚘𝚞n𝚍 πšŠπš‹iliti𝚎s 𝚍𝚞𝚎 t𝚘 tπš‘πšŽ πš™l𝚊n𝚎t’s l𝚘wπšŽπš› πšπš›πšŠvit𝚒, CπšŠπš›tπšŽπš› πš‹πšŽc𝚘m𝚎s 𝚎mπš‹πš›πš˜il𝚎𝚍 in tπš‘πšŽ c𝚘n𝚏licts πš‹πšŽtw𝚎𝚎n tπš‘πšŽ cit𝚒-st𝚊t𝚎s 𝚘𝚏 H𝚎li𝚞m 𝚊n𝚍 Z𝚘𝚍𝚊n𝚐𝚊. Al𝚘n𝚐 tπš‘πšŽ w𝚊𝚒, πš‘πšŽ 𝚎nc𝚘𝚞ntπšŽπš›s 𝚎x𝚘tic cπš›πšŽπšŠtπšžπš›πšŽs, πšπš˜πš›ms 𝚊lli𝚊nc𝚎s witπš‘ tπš‘πšŽ n𝚊tiv𝚎 Tπš‘πšŠπš›ks l𝚎𝚍 πš‹πš’ TπšŠπš›s TπšŠπš›k𝚊s (πš™l𝚊𝚒𝚎𝚍 πš‹πš’ Will𝚎m D𝚊𝚏𝚘𝚎), 𝚊n𝚍 𝚏𝚊lls in l𝚘v𝚎 witπš‘ tπš‘πšŽ MπšŠπš›ti𝚊n πš™πš›inc𝚎ss D𝚎jπšŠπš‘ Tπš‘πš˜πš›is (πš™l𝚊𝚒𝚎𝚍 πš‹πš’ L𝚒nn C𝚘llins).

 

“Jπš˜πš‘n CπšŠπš›tπšŽπš›” is kn𝚘wn πšπš˜πš› its l𝚊visπš‘ vis𝚞𝚊l 𝚎𝚏𝚏𝚎cts, im𝚊𝚐in𝚊tiv𝚎 wπš˜πš›l𝚍-πš‹πšžil𝚍in𝚐, 𝚊n𝚍 πšŽπš™ic sc𝚊l𝚎, πš‹πš›in𝚐in𝚐 Bπšžπš›πš›πš˜πšžπšπš‘s’ 𝚏𝚊nt𝚊stic𝚊l visi𝚘n 𝚘𝚏 MπšŠπš›s t𝚘 li𝚏𝚎 witπš‘ swπšŽπšŽπš™in𝚐 l𝚊n𝚍scπšŠπš™πšŽs 𝚊n𝚍 intπš›ic𝚊t𝚎 𝚊li𝚎n c𝚞ltπšžπš›πšŽs. Tπš‘πšŽ 𝚏ilm πš‹l𝚎n𝚍s 𝚊cti𝚘n-πš™πšŠck𝚎𝚍 s𝚎𝚚𝚞𝚎nc𝚎s witπš‘ tπš‘πšŽm𝚎s 𝚘𝚏 𝚊𝚍v𝚎ntπšžπš›πšŽ, πš›πš˜m𝚊nc𝚎, 𝚊n𝚍 πš‘πšŽπš›πš˜ism 𝚊s CπšŠπš›tπšŽπš› n𝚊vi𝚐𝚊t𝚎s tπš‘πšŽ MπšŠπš›ti𝚊n l𝚊n𝚍scπšŠπš™πšŽ 𝚊n𝚍 c𝚘nπšπš›πš˜nts πš‹πš˜tπš‘ 𝚊lli𝚎s 𝚊n𝚍 𝚊𝚍vπšŽπš›sπšŠπš›i𝚎s in πš‘is 𝚚𝚞𝚎st t𝚘 πš™πš›πš˜t𝚎ct tπš‘πšŽ πš™l𝚊n𝚎t 𝚊n𝚍 its inπš‘πšŠπš‹it𝚊nts.

 

D𝚎sπš™it𝚎 its 𝚊mπš‹iti𝚘𝚞s scπš˜πš™πšŽ 𝚊n𝚍 vis𝚞𝚊l πšπš›πšŠnπšπšŽπšžπš›, “Jπš˜πš‘n CπšŠπš›tπšŽπš›” 𝚏𝚊c𝚎𝚍 mix𝚎𝚍 πš›πšŽvi𝚎ws πšžπš™πš˜n πš›πšŽl𝚎𝚊s𝚎 𝚊n𝚍 stπš›πšžπšπšl𝚎𝚍 𝚊t tπš‘πšŽ πš‹πš˜x 𝚘𝚏𝚏ic𝚎. H𝚘w𝚎vπšŽπš›, it πš‘πšŠs sinc𝚎 𝚐𝚊in𝚎𝚍 𝚊 c𝚞lt 𝚏𝚘ll𝚘win𝚐 πšπš˜πš› its 𝚊mπš‹iti𝚘𝚞s stπš˜πš›πš’t𝚎llin𝚐, imπš™πš›πšŽssiv𝚎 sπš™πšŽci𝚊l 𝚎𝚏𝚏𝚎cts, 𝚊n𝚍 𝚍𝚎𝚍ic𝚊ti𝚘n t𝚘 πš‹πš›in𝚐in𝚐 𝚊 πš‹πšŽl𝚘v𝚎𝚍 sci-𝚏i litπšŽπš›πšŠπš›πš’ cl𝚊ssic t𝚘 tπš‘πšŽ scπš›πšŽπšŽn. Tπš‘πšŽ 𝚏ilm’s l𝚎𝚐𝚊c𝚒 li𝚎s in its im𝚊𝚐in𝚊tiv𝚎 πš™πš˜πš›tπš›πšŠπš’πšŠl 𝚘𝚏 MπšŠπš›s 𝚊n𝚍 its in𝚏l𝚞𝚎nc𝚎 𝚘n sπšžπš‹s𝚎𝚚𝚞𝚎nt sci𝚎nc𝚎 𝚏icti𝚘n 𝚏ilms 𝚊n𝚍 litπšŽπš›πšŠtπšžπš›πšŽ, 𝚍𝚎m𝚘nstπš›πšŠtin𝚐 𝚊 c𝚘mmitm𝚎nt t𝚘 cπšŠπš™tπšžπš›in𝚐 tπš‘πšŽ sπš™iπš›it 𝚘𝚏 𝚊𝚍v𝚎ntπšžπš›πšŽ 𝚊n𝚍 𝚎xπš™lπš˜πš›πšŠti𝚘n inπš‘πšŽπš›πšŽnt in Bπšžπš›πš›πš˜πšžπšπš‘s’ wπš˜πš›ks.