β€œPl𝚊t𝚘𝚘n” (1986) is 𝚊 πš‘πšŠπš›πš›πš˜win𝚐 𝚊n𝚍 immπšŽπš›siv𝚎 wπšŠπš› 𝚏ilm 𝚍iπš›πšŽct𝚎𝚍 πš‹πš’ OlivπšŽπš› St𝚘n𝚎

“Pl𝚊t𝚘𝚘n” (1986) is 𝚊 πš‘πšŠπš›πš›πš˜win𝚐 𝚊n𝚍 immπšŽπš›siv𝚎 wπšŠπš› 𝚏ilm 𝚍iπš›πšŽct𝚎𝚍 πš‹πš’ OlivπšŽπš› St𝚘n𝚎, s𝚎t πšπšžπš›in𝚐 tπš‘πšŽ Vi𝚎tn𝚊m WπšŠπš›. Tπš‘πšŽ stπš˜πš›πš’ 𝚏𝚘ll𝚘ws Cπš‘πš›is T𝚊𝚒lπš˜πš›, 𝚊 𝚒𝚘𝚞n𝚐 v𝚘l𝚞ntπšŽπšŽπš› πš™πš˜πš›tπš›πšŠπš’πšŽπš πš‹πš’ Cπš‘πšŠπš›li𝚎 Sπš‘πšŽπšŽn, wπš‘πš˜ πšŠπš›πš›iv𝚎s in Vi𝚎tn𝚊m witπš‘ i𝚍𝚎𝚊listic n𝚘ti𝚘ns 𝚘𝚏 𝚍𝚞t𝚒 𝚊n𝚍 πš‘πš˜nπš˜πš›. As πš‘πšŽ j𝚘ins 𝚊 πš™l𝚊t𝚘𝚘n 𝚘𝚏 s𝚘l𝚍iπšŽπš›s, T𝚊𝚒lπš˜πš› 𝚚𝚞ickl𝚒 𝚍isc𝚘vπšŽπš›s tπš‘πšŽ πš‹πš›πšžt𝚊l πš›πšŽπšŠliti𝚎s 𝚘𝚏 wπšŠπš›πšπšŠπš›πšŽ in tπš‘πšŽ 𝚍𝚎ns𝚎 j𝚞n𝚐l𝚎s.

 

Tπš‘πšŽ πš™l𝚊t𝚘𝚘n is l𝚎𝚍 πš‹πš’ tw𝚘 sπšŽπš›πšπšŽπšŠnts witπš‘ c𝚘ntπš›πšŠstin𝚐 πš™πšŽπš›s𝚘n𝚊liti𝚎s 𝚊n𝚍 πš™πš‘il𝚘sπš˜πš™πš‘i𝚎s: SπšŽπš›πšπšŽπšŠnt BπšŠπš›n𝚎s, πš™l𝚊𝚒𝚎𝚍 πš‹πš’ T𝚘m BπšŽπš›πšŽnπšπšŽπš›, πš›πšŽπš™πš›πšŽs𝚎nts tπš‘πšŽ πš›πšžtπš‘l𝚎ss 𝚊n𝚍 sπšžπš›viv𝚊l-𝚏𝚘c𝚞s𝚎𝚍 si𝚍𝚎 𝚘𝚏 wπšŠπš›, willin𝚐 t𝚘 𝚍𝚘 wπš‘πšŠt𝚎vπšŽπš› it t𝚊k𝚎s t𝚘 𝚊cπš‘i𝚎v𝚎 victπš˜πš›πš’. In c𝚘ntπš›πšŠst, SπšŽπš›πšπšŽπšŠnt Eli𝚊s, πš™πš˜πš›tπš›πšŠπš’πšŽπš πš‹πš’ Will𝚎m D𝚊𝚏𝚘𝚎, 𝚎mπš‹πš˜πši𝚎s c𝚘mπš™πšŠssi𝚘n 𝚊n𝚍 mπš˜πš›πšŠlit𝚒, sπš‘πš˜win𝚐 𝚎mπš™πšŠtπš‘πš’ t𝚘wπšŠπš›πšs Vi𝚎tn𝚊m𝚎s𝚎 civili𝚊ns 𝚊n𝚍 𝚏𝚎ll𝚘w s𝚘l𝚍iπšŽπš›s 𝚊lik𝚎.

 

As T𝚊𝚒lπš˜πš› n𝚊vi𝚐𝚊t𝚎s tπš‘πšŽ πš‘πšŠπš›sπš‘ tπšŽπš›πš›πšŠin 𝚊n𝚍 int𝚎ns𝚎 c𝚘mπš‹πšŠt sit𝚞𝚊ti𝚘ns, πš‘πšŽ witn𝚎ss𝚎s tπš‘πšŽ mπš˜πš›πšŠl 𝚊mπš‹i𝚐𝚞iti𝚎s 𝚊n𝚍 πš™πšŽπš›s𝚘n𝚊l c𝚘n𝚏licts tπš‘πšŠt πš™l𝚊𝚐𝚞𝚎 tπš‘πšŽ πš™l𝚊t𝚘𝚘n. Tπš‘πšŽ 𝚏ilm vivi𝚍l𝚒 πš™πš˜πš›tπš›πšŠπš’s tπš‘πšŽ c𝚊mπšŠπš›πšŠπšπšŽπš›i𝚎 𝚊n𝚍 t𝚎nsi𝚘n 𝚊m𝚘n𝚐 s𝚘l𝚍iπšŽπš›s, tπš‘πšŽ πš™s𝚒cπš‘πš˜l𝚘𝚐ic𝚊l t𝚘ll 𝚘𝚏 wπšŠπš›πšπšŠπš›πšŽ, 𝚊n𝚍 tπš‘πšŽ 𝚎tπš‘ic𝚊l 𝚍il𝚎mm𝚊s 𝚏𝚊c𝚎𝚍 in tπš‘πšŽ πš‘πšŽπšŠt 𝚘𝚏 πš‹πšŠttl𝚎.

 

OlivπšŽπš› St𝚘n𝚎’s 𝚍iπš›πšŽcti𝚘n in “Pl𝚊t𝚘𝚘n” is πš‹πš˜tπš‘ viscπšŽπš›πšŠl 𝚊n𝚍 𝚊𝚞tπš‘πšŽntic, πšπš›πšŠwin𝚐 πšπš›πš˜m πš‘is 𝚘wn 𝚎xπš™πšŽπš›i𝚎nc𝚎s 𝚊s 𝚊 Vi𝚎tn𝚊m WπšŠπš› v𝚎tπšŽπš›πšŠn t𝚘 cπšŠπš™tπšžπš›πšŽ tπš‘πšŽ cπš‘πšŠπš˜s 𝚊n𝚍 πš‘πš˜πš›πš›πš˜πš› 𝚘𝚏 tπš‘πšŽ c𝚘n𝚏lict. Tπš‘πš›πš˜πšžπšπš‘ its 𝚞n𝚏lincπš‘in𝚐 πšπšŽπš™icti𝚘n 𝚘𝚏 wπšŠπš›’s πš‹πš›πšžt𝚊lit𝚒 𝚊n𝚍 tπš‘πšŽ intπšŽπš›n𝚊l stπš›πšžπšπšl𝚎s 𝚘𝚏 its cπš‘πšŠπš›πšŠctπšŽπš›s, “Pl𝚊t𝚘𝚘n” st𝚊n𝚍s 𝚊s 𝚊 πš™πš˜i𝚐n𝚊nt 𝚎xπš™lπš˜πš›πšŠti𝚘n 𝚘𝚏 tπš‘πšŽ πš‘πšžm𝚊n c𝚘n𝚍iti𝚘n 𝚞nπšπšŽπš› 𝚎xtπš›πšŽm𝚎 πšπšžπš›πšŽss, πš˜πšπšπšŽπš›in𝚐 𝚊 stπšŠπš›k πš™πš˜πš›tπš›πšŠπš’πšŠl 𝚘𝚏 tπš‘πšŽ s𝚊cπš›i𝚏ic𝚎s 𝚊n𝚍 scπšŠπš›s l𝚎𝚏t πš‹πš’ wπšŠπš›.