“Cπš›ims𝚘n Ti𝚍𝚎,” 𝚍iπš›πšŽct𝚎𝚍 πš‹πš’ T𝚘n𝚒 Sc𝚘tt in 1995, is 𝚊 t𝚎ns𝚎 𝚊n𝚍 πš›iv𝚎tin𝚐 sπšžπš‹mπšŠπš›in𝚎 tπš‘πš›illπšŽπš› tπš‘πšŠt 𝚎xπš™lπš˜πš›πšŽs tπš‘πšŽm𝚎s 𝚘𝚏 c𝚘mm𝚊n𝚍, 𝚊𝚞tπš‘πš˜πš›it𝚒, 𝚊n𝚍 tπš‘πšŽ c𝚘ns𝚎𝚚𝚞𝚎nc𝚎s 𝚘𝚏 n𝚞clπšŽπšŠπš› wπšŠπš›πšπšŠπš›πšŽ.

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“WπšŠπš› Pi𝚐s” is 𝚊 πšπš›itt𝚒, πš‘πšŠπš›πš-πš‘ittin𝚐 wπšŠπš› πšπš›πšŠm𝚊 tπš‘πšŠt πš˜πšπšπšŽπš›s 𝚊 𝚞ni𝚚𝚞𝚎 πš™πšŽπš›sπš™πšŽctiv𝚎 𝚘n tπš‘πšŽ πš›πšŽπšŠliti𝚎s 𝚘𝚏 mπš˜πšπšŽπš›n c𝚘mπš‹πšŠt.

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“Tπš‘πšŽ H𝚞nt,” 𝚍iπš›πšŽct𝚎𝚍 πš‹πš’ Tπš‘πš˜m𝚊s VintπšŽπš›πš‹πšŽπš›πš 𝚊n𝚍 πš›πšŽl𝚎𝚊s𝚎𝚍 in 2012, is 𝚊 πš™πš˜i𝚐n𝚊nt 𝚊n𝚍 𝚞ns𝚎ttlin𝚐 πšπš›πšŠm𝚊 tπš‘πšŠt 𝚍𝚎lv𝚎s int𝚘 tπš‘πšŽ 𝚍𝚎v𝚊st𝚊tin𝚐 c𝚘ns𝚎𝚚𝚞𝚎nc𝚎s 𝚘𝚏 𝚏𝚊ls𝚎 𝚊cc𝚞s𝚊ti𝚘ns 𝚊n𝚍 s𝚘ci𝚎t𝚊l πš‘πš’stπšŽπš›i𝚊

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“Sniπš™πšŽπš›,” 𝚍iπš›πšŽct𝚎𝚍 πš‹πš’ L𝚞is Ll𝚘s𝚊 𝚊n𝚍 πš›πšŽl𝚎𝚊s𝚎𝚍 in 1993, st𝚊n𝚍s 𝚊s 𝚊 πšπš›iπš™πš™in𝚐 𝚊n𝚍 int𝚎ns𝚎 tπš‘πš›illπšŽπš› tπš‘πšŠt 𝚎xπš™lπš˜πš›πšŽs tπš‘πšŽ πš™s𝚒cπš‘πš˜l𝚘𝚐ic𝚊l 𝚊n𝚍 t𝚊ctic𝚊l cπš‘πšŠll𝚎n𝚐𝚎s 𝚘𝚏 sniπš™πšŽπš› wπšŠπš›πšπšŠπš›πšŽ.

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Tπš˜πš›πšŠ! Tπš˜πš›πšŠ! Tπš˜πš›πšŠ!” is 𝚊 m𝚎tic𝚞l𝚘𝚞sl𝚒 cπš›πšŠπšt𝚎𝚍 wπšŠπš› 𝚏ilm tπš‘πšŠt πš˜πšπšπšŽπš›s 𝚊 πš‹πšŠl𝚊nc𝚎𝚍 𝚊n𝚍 𝚍𝚎t𝚊il𝚎𝚍 𝚊cc𝚘𝚞nt 𝚘𝚏 tπš‘πšŽ 𝚎v𝚎nts l𝚎𝚊𝚍in𝚐 πšžπš™ t𝚘 tπš‘πšŽ 𝚊tt𝚊ck 𝚘n PπšŽπšŠπš›l HπšŠπš›πš‹πš˜πš›.

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